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      Marika Hackman in Toronto


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      October 21, 2019

      Monday   8:30 PM

      370 Queen Street West
      Toronto, Ontario M5V 2A2

      Performers:
      EVENT DETAILS
      Marika Hackman

      with Girl Friday
      hand solo, blow, conventional ridethese are just a few of the cheeky offerings off Any Human Friend, the new album from rock provocateur Marika Hackman. This whole record is me diving into myself and peeling back the skin further and further, exposing myself in quite a big way. It can be quite sexual, Hackman says. Its blunt, but not offensive. Its mischievous. Theres also depth to her carnal knowledge: Any Human Friend (out via AMF Records and Sub Pop Records in North and South America) is ultimately about how, as she puts it, We all have this lightness and darkness in us.Hackman lifted the albums title from a documentary about four-year-olds interacting with dementia patients in senior homes. At one point, two little girls confer about their experience there, with one musing on how its great to make any human friend, whether old or young. When she said that it really touched a nerve in me, says the London-based musician. Its that childlike view where we really accept people, are comfortable with their differences.Such introspection has earned Hackman her name. Her 2015 debut, We Slept at Last, was heralded for being nuanced and atmospheric. She really found her footing with her last release, Im Not Your Manwhich earned raves from The Guardian, Stereogum, and Pitchforkand its sybaritic, swaggering hit Boyfriend, which boasts of seducing away a straight guys girlfriend. Her tactile lyrics keep the songs melodically strong and full of surprises, remarked Pitchfork. Well say!Im a hopeless romantic, she explains. I search for love and sexual experience, but also Im terrified by it. Hackman is a Rid of Me-era PJ Harvey for the inclusive generation: unbounded by musical genre, a preternatural lyricist and tunesmith who isnt afraid to go there. (Even her cover art, which finds Hackman nearly nude while cradling a baby pig, is a nod to Dutch photographer Rineke Dijkstras unfiltered photos of mothers just after they gave birth.) To that end, hand solo extorts the virtues of masturbation and features Hackmans favorite line, Under patriarchal law, Im going to die a virgin. The song blow paints a picture of social excess. And conventional ride thumbs its nose at heterosexual sex through the trope a lot of gay women experience: sleeping with someone, then it becomes apparent youre kind of an experiment.With Any Human Friend, boundaries are no longer an issue for her. I sent all night to my parents and they were quite shocked, she says of the paean to the flesh, dressed as a sweetly harmonic track. Why does it sound shocking coming out of my mouth? Women have sex with each other, and it seems to me we arent as freely allowed to discuss that as men are. But at no point am I disrespecting the women Im having sex with. It can be fucking sexy without banging people over the head with a frying pan. Its sexy sex.Sharing intimacies with her parents makes sense when you consider she wrote the onea portrait of the artist amid identity crisis where she crashed after a painful break-up with a longtime girlfriend. send my love is a proper breakup song, she says of the levitating, string-laden track. I actually wrote that in a moment of grief. Its a strange take on it because Im imagining myself as my ex-girlfriend. She penned its companion track, im not where you are, a melodic earworm about emotional detachment from relationships, roughly six months later.I think because my life was flipped upside down, it was taking me longer to write, she says. This was definitely the hardest process Ive gone through to make a record. She wrote the album over a year, recording a few songs at a time with co-producer David Wrench (Frank Ocean, The xx). I stopped being able to sleep properly, she says. I was waking up in the middle of the night to write songs.But the longer recording process also meant that Hackman had the time to experiment in the studio, especially with electronic songs. She was inspired by Wrenchs vast synth collection, many of which she used throughout Any Human Friend (the synths give the album a nice shine), notably on hold on, a deep dive into ennui expressed as ethereal R&B. She also switched up drum rhythms and wrote songs on the bass, such as the upbeat, idiosyncratic come undone (working name: Funky Little Thang).Hackman bookends Any Human Friend with some of her most unexpected musical turns. The first song she wrote, the one (technically its second track), is probably the poppiest song Ive ever written, she says. Its about that weird feeling of starting the process again from scratch. To that end, it features a riot grrrl Greek chorus hurling such insults at her as, Youre such an attention whore! The title track closes out the album and explores how, when were interacting with people, its like holding a mirror up to yourself. Its a weightless coda thats jazz-like in its layering of rhythmic sounds as if youre leisurely sorting through Hackmans headspace.The drive to do all this is all just about trying to work out what the fuck is in my brain, she says, laughing. The dragon shes chasing is a rarified peace that materializes after properly tortured herself. I really did have a good time working on this album, she says, reassuringly. Its just emotionally draining to write music and constantly tap into your psyche. No musician is writing music for themselves to listen to. Its a dialogue, a conversation, a connection. Im creating something for people to react to.

      Cost: 20.00

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